Saturday, November 23, 2019

What is this curse upon my heart

What is this curse upon my heart,
that plants the seeds where loves do grow,
then rents all loves to me apart?

I know that endings stop each start,
each time, all times.  I want to know,
what is this curse upon my heart?

I've paid for each one Ć  la carte,
unfinished meals, for it's renown:
It rents all loves to me apart,

and thus compels me to compart,
and fall to pieces, no more known.
What is this curse upon my heart?

So every love's compelled to part,
and melt my once-warm flesh to bone?
What rents all loves to me apart,

turns sweetness to a horrid tart?
It is my fate to die alone.
What is this curse upon my heart,
that rents all loves to me apart?


(C)2019, Christos Rigakos

Saturday, November 16, 2019

This bus stop, filthied by a thousand shoes

This bus stop, filthied by a thousand shoes
of people walking in, and through, and out--
It is my heart, that pays some unknown dues,

as every little gain I surely lose,
and wonder why they even come about
this bus stop.  Filthied by a thousand shoes,

I often scribe my grief in staves of Blues,
my lyrics harsh, my wails, crescendo'd, shout:
"It is my heart that pays some unknown dues."

This mystery affords me little clues
arranged as jigsaw pieces strewn about
this bus stop, filthied by a thousand shoes.

Yet broken hearts make minds of little use,
a fog-cloaked worthless land, dry-parched from drought--
it is my heart.  I pay some unknown dues,

for sins unsure which God will not excuse,
and so my heart's a terminal throughout
this bus stop, filthied by a thousand shoes--
It is my heart, that pays some unknown dues.

(C)2019, Christos Rigakos

Sunday, May 5, 2019

It's oft been said, that all the world's a stage

It's oft been said, that all the world's a stage.
Oh, this one phrase has proven to be true.
The actors' scenes repeat through every age.

There is one play that's quite been all the rage,
whose run's the longest mankind ever knew.
Off-Broadway, seen by all the world, a stage

where major thespians are often gauged
by monologues expressing much ado,
the actors' scenes repeat through every age.

The scripts, expertly crafted to engage
the audience, to cheer or jeer on cue
en masse, because the whole world is the stage.

There's much adlibbing done on every page,
however actors normally stay true
to what's repeated oft through every age.

The plots and stories written to enrage
the audience with courtly ballyhoo,
engage the billions on the worldly stage,
with scenes repeating oft through every age.


(C)2019, Christos Rigakos

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